Friday, March 18, 2016

Open Letter to Musical Theatre Majors

Just thirty years ago, majoring in Musical Theatre in college was not much of a possibility.  Little by little, though, due to overwhelming interest, it has become one of the most popular majors in colleges and conservatories across the country. 

Not to date myself, but when I was coming up as an aspiring singing actor, we had to get our training willy-nilly as best we could.  In college, I majored in piano since classical singing held little appeal for me then.  I took all my electives in the dance and drama departments.  In NYC after graduation, I sought out further training in acting, weekly dance classes, voice lessons, coachings and auditioning classes.  I took a weekend seminar on The Business of Singing, which taught me how to attract a manager or agent, how to do my taxes (so important to know what you can deduct!!), and basically how to run the business side of things.  I haunted the Lincoln Center Performing Arts library taking out scores and listening to original cast recordings.  I bought a book about getting the right pictures and resume.  I educated myself in MT history by seeing shows and reading books about theatre artists of the past who interested me.  And most of all, I learned by doing.  I got a tremendous education by actually working – and learned from colleagues, directors, friends, and the experience of being “on the boards.”
Now that I am on the faculty of two college Musical Theatre programs, I am sometimes jealous of all the training and information the students get – seemingly handed to them on a silver platter and tied up in a neat little bow!  I’m embarrassed to say that it wasn’t till I was past my teens that I even knew (no youtube or wikipedia back then) that Richard Rodgers had a partner before Oscar Hammerstein III!  There was no course in Music Theatre history.  I didn’t really know how to dress appropriately for my type at auditions.  I didn’t know how to put together a viable “book” of music.  It was a lot of trial and error!

You have a tremendous advantage.  Yes, it was a great adventure when I was coming up, but you are so much better prepared for the business than we were.  By the time you graduate, you will not only have great training, but you’ll have a good, organized book, professional pictures and resumes, have done at least one agent/casting director showcase and have benefitted from the collective wisdom of all your instructors, most of whom are professionals in the field.  “I wish…”
Now I’m not saying that you MT majors should all be abjectly grateful, nor am I saying it doesn’t still take real work on your part.  But I am strongly suggesting that you really take advantage of all the training and opportunities available to you in such a systematic way all under one roof in your college years! 

This doesn’t mean your learning is at an end once you’re done with school of course.  You will continue to learn throughout your performing life – there is so much to know and experience!  But also be aware that every year, newly minted MT graduates pour into NYC (“another hundred people just got off of the train…”) who have a similarly polished level of training and knowledge, so the whole playing field is at a higher level, and competition is fierce.  It’s up to you to figure out how to stand out from the crowd, how to be a unique talent, how to reveal YOU through all the skills.  I can’t wait to see how it all unfolds for you!